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Asset for asset, very few come close. She is all woman. The breasts are real. The skin in milky; the curves, dangerous. Even the shoulders slope sexy. And the small of the back, so easy to imagine teeth biting into it. Worse, the face beguiles with an innocence that is hard to fight. And when finally the eyes smile, no man is safe. Maybe, no woman, too.
Joel Lamanga, director of Mano Po, the movie that gave Ara her best-actress award at the 2002 Metro Manila Film Festival, her first ever: "What is sexy is the totality of her. It's not just one part of her body but her totality. You cannot take one from the other. She's like a little girl na kailangan mong ipagtanggol sa sinumang magnanais ng masama laban sa kanya."
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